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Colonial Revival
FURNITURE ....... Styles
of Architecture
Colonial / Colonial Revival Architecture
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- Colonial styles- Pre-Revolutionary War
- Colonial Revival 1870-1920
- Dutch Colonial Revival
- Examples of Colonial Revival architecture in Buffalo
- Colonial Revival FURNITURE
Colonial styles - Pre-Revolutionary War
"Colonial" style in architecture and furniture includes all the styles which existed during the Colonial period of American history. The Colonial period ended once the Colonies declared independence from England.
- Spanish Colonial 1600-1840
- Southern Colonial 1600-1700
- New England Colonial 1600-1700
- Jamestown settlement (1606)
- New England Colonial 1700-1800
- Left illustration above: George Wythe House, Williamsburg, Va. (mid-1750s design)
- Wren Building (begun 1695)
- Governor's Palace, Williamsburg, Va. (1714)
- Capitol, Williamsburg, Va. (1705 design)
- Bruton Parish Church, Williamsburg, Va. (1715 design)
- Drayton Hall, Charleston, S. C. (1738-42)
- French Colonial 1700-1830
- Dutch Colonial 1700-1830
Furniture styles, of course, corresponded to the architectural styles.
Colonial Revival 1870-1920
Definition: The reuse of Colonial design in the US toward the end of the 19th and into the 20th century, typically in bank buildings, churches and suburban homes.This architectural style is considered a Victorian era style because, like the British Victorians, reaction to the Industrial Revolution led to reexamination of the pre-Industrial Revolution past. A revival of Gothic style architecture was the first manifestation of this romantic portrayal of the past. In the early 20th century, the two dominant styles being built in suburbs were Tudor Revival and Colonial Revival.
Following on the heels of America's Centennial celebrations, the Colonial Revival emerged in the early 1880s. The style, which borrowed heavily from early American architecture - particularly Georgian style buildings - was largely an outgrowth of a new pride in America's past and a rapidly growing Interest in historic preservation. Among the leaders of the movement were the partners at McKim, Mead and White, who had made a tour of New England's historic towns in 1878.
In the early phase, the Colonial Revival style remained the exclusive domain of fashionable architectural firms and was favored for the large residences of wealthy clients.
The Colonial Revival building is often a combination of various Colonial styles and contemporary elements. Generally the Revival house is larger than its Colonial counterpart and some of the individual elements are exaggerated or out of proportion with other parts of the house. Some Revival houses, however, are executed with such historical accuracy that they are difficult to distinguish from original houses.A subgenre of Colonial Revival is Georgian Revival which looks to the architecture in the New England Colonies from 1600-1700.
Colonial Revival common characteristics:
- Facade: Symmetrical, often with side porches
- Facade: Asymmetrical (not present or were rarely found in their colonial prototypes)
- Classical cornice (common)
- Cornice parapet
- Cupola
- Entablature
- Entry: decorated with
- Sidelights,
- Transoms
- Swan's neck pediment
- Broken pediments (not present or were rarely found in their colonial prototypes)
- Fanlight over the main entry door
- Pediment supported by pilasters that may extend forward and be supported on columns so as to form an entry porch
- Voussoirs
- Entry: Large porches or porticos
- Roof:
- Walls: clapboard
- Walls: Flemish (red) brick
- Captain's walk
- Windows:
- bay window
- symmetrically arrayed windows in the facade, often, adjacent pairs of windows (or three adjacent windows) treated as single architectural unit
- doube-hung
- louvered shutters
- straight window heads
- splayed lintels
- Palladian window (not present or were rarely found in their colonial prototypes)
- rectangular sash windows with multiple panes in both the upper and lower sashes
- Classical detailing such as
- Interior: grand staircase (sometimes freestanding)
- Interior: paneled wainscot
- Interior: fireplaces with
- fans
- swags
- ellipse
- dentils in entablature
- marble facing under mantle
- colonettes
Dutch Colonial Revival 1880-1955
Of the many forms of the Colonial Revival style, the Dutch cottage variant is among the most distinctive. Adapted from eighteenth century farmhouses erected by Dutch settlers, the defining characteristic of the style is a gambrel roof, which was introduced to America by the Dutch in the Mid-Atlantic colonies. The double-pitch of the gambrel roof created more space in the upper story, while allowing for the rapid run-off of rainfall, common to the eastern seaboard.
Dutch Colonial Revival houses are typically a tall one-and-one-half story building with a large flank-gambrel roof containing the second floor and attic. The lower roof slopes at both front and rear are broken by large full-width shed dormers on the second story level; the dormers usually dominate the roof, and the gambrel form is sometimes evident only on the end walls.
- Historic Resources Intensive Level Survey - Grant-Ferry-Forest, Vol. 1
Common characteristics:
- Gambrel roofs (i.e., a curving roof with a shape similar to a barn roof)
- Symmetrical facades
- Doorways ornamented with columns, sidelights and transoms
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1782 Seneca St. |
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Rockwell Hall, State U. College at Buffalo |
Fraternal Lodge 625 / Wood Senior Residence
in Hamburg |
Bethlehem Steel Management Club / Bristol Woods, in Hamburg. 1950s building. |
440 Linwood Ave. |
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175 Depew Ave. |
Depew Ave. |
237 Depew Ave. |
260 Depew Ave. |
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260 Depew Ave. |
270 Depew Ave. |
25 Colonial Circle |
Other online Colonial Revival buildings:
- Metcalfe House (demolished) Photo -
- Lansing House, 29 Oakland Place
- 143 Linwood Avenue
- 305 Elmwood Avenue
- Mann House
- Photo - 204 Lancaster
Text sources:
- "Identifying American Architecture," by John J.-G Blumenson. New York: Norton. 1981
- "Illustrated Dictionary of Architecture," by Ernest Burden. McGraw-Hill , 1998
- "The Visual Dictionary of American Domestic Architecture," by Rachel Carley. New York: Henry Holt & Co., 1994
