
Hotel
Lafayette - Table of Contents
Exterior - Hotel Lafayette
391 Washington
Street, Buffalo, NY
| Initial construction: |
1901-1904 |
| Architect: |
Bethune,
Bethune & Fuchs |
| Style: |
French
Renaissance Revival |
| North elevation
addition: |
1909-12, by Bethune, Bethune & Fuchs |
| Installation of
bathrooms in every guest room that did not originally
have one: |
1914-22,
by
Esenwein
& Johnson |
| Ballroom added: |
1916-17, by Esenwein & Johnson |
| South addition, seven
stories facing Washington St.: |
1924-26,
by
Esenwein
& Johnson Future Lafayette Tap Room in the early 1930s |
| Lobby completely
remodeled in Art
Moderne style: |
1941-42,
by
Roswell E. Pfohl & Design |
| Renovated by Rocco
Termini: |
2011-12,
by
Carmina Wood Morris |
| Significance: | "... one of the finest examples of a grand early-Twentieth Century hotel in the City of Buffalo and a remarkably intact example of the French Renaissance style of architecture." - WCPerspective, History of The Lafayette: The Interior |
On this page, below:
Historic photographs and history
Historic postcards
Additions
Facade
North elevation
Lafayette Brewery
![]() Note cannon in Lafayette Square Source: The Picture Book of Earlier Buffalo, Frank H. Severance, ed. Pub. by the Buffalo Historical Society Publications, Vol. 16, 1912, p.140 ![]() Source: 1905 Buffalo of Today: Domestic and Industrial
|
| Like
a
number of hotels and small apartment buildings in
Buffalo, the Lafayette Hotel was planned to be ready for
the expected influx of visitors at the Pan-American
Exposition in 1901. But financial problems delayed
the hotel opening until 1904. A handsome red brick and white terra cotta French Renaissance-style building, it was designed principally by Louise Blanchard Bethune of the respected Buffalo architectural firm of Bethune, Bethune and Fuchs. She was the first professional woman architect in the country, the first female member of the American Institute of of Architects, and the first woman to be made a Fellow of the A.I.A. Originally, there was a portrait of General Lafayette in the lobby. The style of the building, French Renaissance, probably reflects the general's visit and the name change of Courthouse Square to Lafayette Square. In its heyday, the Lafayette Hotel was considered one of the 15 finest hotels in the country. With hot and cold water in all bathrooms, and telephones in all rooms, the seven-story hotel offered "the best that science, art and experience can offer for the comfort of the traveling public." Four years later, an addition doubled the size of the hotel, and fifty years later it was still operating as a luxury 400 room hotel, run by three generations of the Duffy family's ownership The Lafayette's opulent interior once featured a splendid crystal chandelier-hung ballroom, leaded-glass skylights, marble columns, mahogany coatrooms, and a handsome oak-paneled men's bar and dining room. |
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Historic Postcards![]() Compare Lafayette Hotel in this postcard to the later postcard below: ![]() Note the hotel addition at left ![]() |
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Additions![]() French Renaissance Revival style Left: North elevation, Clinton Street Middle: Facade - chamfered corner (original entrance) Right: West elevation, Washington Street ... The
original Lafayette Hotel was just half the size of
the building than stands today as a series of
additions were completed after it opened. The
principal building was constructed between 1902 and
1911 by the architectural firm of Bethune,
Bethune, & Fuchs of Buffalo, with two
smaller, sympathetically designed additions by the
Buffalo firm of Esenwein & Johnson in 1916-17
and 1924-26.
...When
it opened, the building extended 122½ feet on
Washington Street and 147 feet on Clinton
Street. (The original east end of the building
was just beyond the vertical band of terra cotta in
the center of the present north elevation.)
...First
and seventh floors are almost entirely sheathed in
semi-glazed ivory white terra cotta, which was also
used extensively at the corners through all floors.
![]() West and south elevations viewed from Washington Street ![]() West elevation |
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Facade![]() Middle: Facade - chamfered corner ![]() Terra cotta cornice: cartouches and fleurs-de-lis (appropriate for a French Renaissance Revival style since the fleur-de-lis is the symbol for France) ... Modillions supporting cornice ... Dentil molding ![]() ![]() Modillions supporting cornice ... Rosettes ... Dentil molding ![]() Facade - chamfered corner ... Modillions supporting cornice ... Dentil molding ... Egg-and-dart molding ... Bottom: C scrolls form a cartouche ![]() Facade - chamfered corner ... Top: Bead-and-reel molding ... Shell above lion's head (open mouth reflective of Classical Greek and Roman lion head scuppers) ![]() Facade - chamfered corner ![]() Facade - chamfered corner Second floor balconet with wrought iron parapet Corbels supporting balcony Cartouche over entrance Decorative wrought iron made by August Feine of Buffalo |
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North
Elevation![]() North elevation ... Left: Central Library ![]() North elevation ... Roof line ... Terra cotta: Cartouches ... Modillions ... Dentil molding ![]() North elevation ... 3rd through 6th stories ... Terra cotta Gibbs window surround ... Quoins ... Wrought iron balconettes ... Corbel supports ![]() North elevation ... Third story balconet ... Wrought iron parapet (note C scrolls) ... Terra cotta corbels supporting balconet ... Terra cotta decorated keystones ... Numerous window balconies were of decorative wrought iron made by August Feine of Buffalo. ![]() North elevation ... Balconet made of wrought iron features C scrolls ![]() North elevation ... 2nd story balconet, with wrought iron parapet ... Terra cotta Gibbs surround ... Horizontal course delineating floors ... Far right window has terra cotta sill ![]() North elevation ... 2nd story ... Terra cotta: Broken triangular pediment ... Cartouche and leaves in tympanum ... Corbels ![]() North elevation ... 2nd story Wrought iron balconet ... Guilloche molding between stories ... 1st story panel decorated with beaded oval, volutes and leaves ![]() North elevation first floor tripart transom window reflects neighboring Electric Tower ![]() North Elevation Rusticated terra cotta columns between arched windows ... Staircase at left leads to basement room ... Open area is a first story entrance (different angle below:) ![]() Note newel posts (detailed below:) ![]() North Elevation Cast iron newel features guilloche pattern ![]() North Elevation Anatomy dress shop window reflects neighboring Public Library ![]() North Elevation Shop window reflects neighboring Tishman Building |
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Lafayette Brewery Company "To keep the Hotel Lafayette current with the
latest trends, Esenwein
& Johnson were commissioned in 1924
to make further alterations and additions. The
most significant of these was an addition to the
south, which was seven stories high facing Washington
Street but only two stories to the east, so as not to
cut off daylight to the numerous light courts.
Construction began in 1924 and was completed in
1926. Like the ballroom addition, it was also
constructed of red brick with white terra cotta of a
much simpler design than the original building.
"The ground floor contained the new billiard room, while additional hotel rooms were located in the seven-story section; the second story of the rest of the addition contained hotel work rooms. "In the early 1930s, the billiard room was converted into a bar, the first hotel bar in Buffalo to open after the repeal of prohibition; soon named the Lafayette Tap Room, it has remained open until earlier this year." - WCPerspective, History of The Lafayette: Part Two Lafayette Tap Room changed to Lafayette Brewing Company in 2017. ![]() West elevation ![]() ![]() Left: 1904 original building ... Right: 1924-26 addition by Esenwein & Johnson ![]() West Elevation Pan American Grill & Brewery ... 2017 name: Lafayette Brewery Company ![]() ![]() ![]() Herringbone, basket weave patterns ![]() Viewing side and back from Ellicott Street |
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