Illustrated FURNITURE Glossary ..... Illustrated Architecture Dictionary
Windsor Chairs / Settees
Table of Contents:
Proportions Medium to delicate.
Essential elements Interlocking turned or cutout parts. Chair and settee backs with a series of plain spindles enclosed by a curved or straight top rail. Saddle- or shield-shaped seat. Angled legs. Turned stretchers. Often painted.
Woods: several used for each piece, typically pine and maple with hickory, ash, or birch.
Notable forms Chair. Stool. Settee. Occasionally tables
- Marvin D. Schwartz, American Furniture: Tables, Chairs, Sofas and Beds. 2000
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Windsor chair Origins: The Windsor originated in England early in the 18th century, and was first common around the town of Windsor. The withes and bowed shapes that formed the spindles and back wee turned and cut originally near Windsor, hence the name. They were painted green and used as garden chairs. Apparently, the first American Windsors were made in Philadelphia. Beginning about 1730, American craftsmen developed their own distinctive versions. The classic models were made until about 1830, and mass-produced variations and reproductions of this enduring form have been produced ever since. Legs were originally cabriole in shape; later they were made of turnings. Ring-and-vase turnings were typical until about 1800. The larger the turnings, the better the quality. Braced backs are desirable (and more expensive). Bamboo turnings were typical from about 1790-1850. Windsors are all-wood chairs with interlocking parts that were delicately turned or simply cut. The back was made of turned or whittled spindles enclosed by a curving or straight rail. The solid seat was shaped to fit the body. Legs were turned, set at an angle, and reinforced by turned stretchers. One reason for their sturdiness was that parts were made of green wood, which later shrank until the joints were tight. Six basic models are generally distinguished, all of which are detailed below:
Typical woods: Paint: Since different woods had contrasting colors and grains, the chairs were usually painted solid green, red, black, yellow, or white; such paint also protected the wood. After painting, varnish was often applied. Sometimes varnish was mixed with the paint before application. Chairs with original paint are much more highly prized (and more expensive). Seats: Seats were scooped for comfort. If a chair was designed to have the seat covered with leather (and padding below the leather), the seat would be flat, not scooped. After 1860, more than one piece of wood was used for the seat (pieces glued together). Knots that fell out were replaced by another piece of wood cut to fill the hole. "Patina," an important feature, is basically accumulated dirt. Evidence of hand planing is normally found under the seat of chairs made by hand. Chippendale introduced a pierced splat between the rods of the back. Hepplewhite added a wheel-like feature in the center splat. Tapered feet are a characteristic of Windsors made in Rhode Island.
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| Bow-back See loop-back below |
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Captain's, chair, with a flat semicircular top rail set on short spindles and doubling as an armrest Also called low-back
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Comb-back, also based on the low-back, with a row of spindles extending well above the arm rail and fitting into a serpentine top rail Fan-backs are very much like comb-backs, except that comb-backs are in 2 distinct sections. |
| Continuous-arm, with arms and arched top rail made from a single piece of bentwood | |
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Fan-back, a side chair with a serpentine top rail like the comb-back, but no dividing arm rail,so that the back consists of long spindles flanked on each side by a heavier turned stile Fan-backs are very much like comb-backs, except that comb-backs are in 2 distinct sections.
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| Hoop-back, a modification of the low-back with an arched addition topping the central portion | |
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Loop-back. a side chair with a sharply bowed backrail enclosing long spindles. Also called bow-back. The greater the bow, the better the quality.
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| Low-back See Captain's chair above |
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Source: Some information taken from a 2006 lecture by Davis Malys of Adrian Morris Antiques
