Charlotte
Square - Table of Contents
History - New Town
and Charlotte Square
Edinburgh,
Scotland
New Town construction: |
1767 - 1890s |
New Town architect: | James Craig |
New Town
principal streets: |
George
Street - named after King George III - in between two squares: St. Andrew Square - St. Andrew is the partron saint of Scotland Charlotte Square - Initially named St. George's Square in James Craig's original plan, it was renamed in 1786 after King George III's Queen and first daughter, to avoid confusion with George Square, in the south of the city. |
St. Andrew Square construction completion: | 1781 |
Charlotte Square construction
completion: |
1820 |
Charlotte Square overall
design architect: |
Robert Adam |
North side of Charlotte Square architect: | Robert
Adam, but died before the
rest of the square was completed. Included only the facades of the terraces. |
Charlotte Square
composition descriptions: |
Central
block plus wings Pavilions - Projecting subdivision of a monumental building, notably the central or end bays of a Classical facade Palaces - A large, splendid house Terraces - British: a block of row houses Row houses - Series of houses, often of similar or identical design, situated side by side and joined by common walls Townhouses - A multi-story house which is attached to one or more similar houses by shared walls Elevations - The front, back, or side of a building; drawing or photograph of a face of a building with all the features shown |
Charlotte Square sections: |
Central
garden (gardens are private and not publicly accessible) North pavilions (facades designed by Robert Adam) West pavilions South pavilions |
New Town distinction: |
Largest
area of neo-classical eighteenth and nineteenth century
architecture in the world. 1995 UNESCO World Heritage Site. |
Cities in 18th-century Britain
Apart from London,there were few cities in 18th-century Britain of which the population exceeded 10,000, and flourishing market towns might have no more than 3,000 inhabitants. Yet the period saw a significant growth in the urban population. Many of the new town-dwellers were poor immigrants from the countryside, who found what lodgings they could in the disease-infested, crime-ridden rookeries that were a feature of all large centers of population in 18th-century Europe. But many others, particularly the newly prosperous classes, lived in a comfort unknown since Roman times. To meet their demands, terraces of handsome houses were set beside paved streets, which were graced by public buildings - churches, inns, law courts, market halls, assembly rooms and theaters - of incomparable splendor and elegance. Bath, Dublin and the New Town of Edinburgh were admired by visitors from all over Europe. The rich regarded themselves as country-dwellers. Their great houses or "seats" were to be found at the heart of their rural estates rather than in cities, and they regularly spent a significant part of each year in the country, either when the weather in town was too hot for comfort, or when the pleasures of country sports beckoned. As roads and carriages improved however, it became more and more fashionable and convenient for those with any social pretensions to visit London, or a provincial capital such as Edinburgh, Dublin, York or Exeter. They came to attend the theatre or the concerthall, take in balls and similar entertainments, and to follow the fashionable, highly formal rounds of visits and receptions at which their manners, costumes, and conversations could be displayed to best advantage.
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New Town When Edinburgh outgrew its walled
city, it was decided to build a "New Town" to the north. Charlotte
Square and St .Andrew Square were at the two ends of a new
thoroughfare, George Street (named after King George III). Charlotte Square has retained its elegant, old buildings on all four sides, thanks in part to the National Trust for Scotland (St Andrew Square was not so lucky). The Edinburgh residence of the Scottish Parliament's First Minister is in Charlotte Square and meetings of the Executive (cabinet) are held there. Charlotte Square used to house many of the finance houses which made Edinburgh famous. They have moved to larger, more technology friendly offices ...
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Charlotte Square Charlotte Square was the last part of James Craig's New Town in Edinburgh to be developed, but the City Council decided to approach Robert Adam for a design . Hence, unlike the rest of the Edinburgh New Town, the houses are integrated into blocks each appearing to be an urban palace. It was this combination of the houses of a terrace into a unified block which had been pioneered in Bath during the 1720s by the architect John Wood the Elder, and which Robert Adam was also considered by his contemporaries as particularly skillful at managing. (Robert Adam designed the north side of Charlotte Square in Edinburgh but died before the rest of the square was completed.) The conventions of classical architecture are followed, and each of the palace blocks is composed of a central pavilion, joined by less elaborate, slightly recessed, connecting links to terminal pavilions. The skill comes in the ability to provide enough variety and surface articulation to maintain the visual interest throughout a long facade. In designing, for example, a country house, this can be produced by varying the height of the roof line along the facade and by projecting wings or a portico beyond the line of the main part of the building. In designing a terrace of houses such as Charlotte Square, however, the wall-line of the facade needs to be comparatively straight, so as to allow a similar outlook for all of the houses, and the number of storeys cannot be varied without making some houses smaller than others. Furthermore, throughout the New Town the Council, had stipulated that houses in the main streets should all be three storeys high, excluding basement. Adam shows that it
is possible to maintain the balance of the design, even within these
constraints. Each terrace appears to have wings and a central
block, although the connecting links are only slightly recessed
from
the pavilions. There is enough visual emphasis at the center and
the ends that the whole composition hangs together. Adam’s designs for
Charlotte Square proved to be immensely influential in Edinburgh.
In 1802, the ground to the north of Queen Street Gardens was laid out
as an extension to the New Town, the second or Northern New
Town. This was planned by Robert Reid and William
Sibbald, and throughout it, each block is treated as a single
architectural composition, in the same fashion as Charlotte
Square. From this date, most such large-scale developments in
Edinburgh took their inspiration from Adam’s Charlotte Square facades
and were designed as palace-frontages. Charlotte Square was in
this respect probably Robert Adam’s most influential contribution to
Georgian Edinburgh.
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Charlotte Square
The story of Charlotte
Square is the story of the rebirth of Edinburgh. As a fundamental
feature of the city’s New Town, the Square’s origin should be studied
within the wider context of Edinburgh’s expansion in the mid-18th
Century.Up until this period, the city had been geographically confined to the ridge running down from the Castle, the area we now know as the Old Town. In 1766, as overcrowding reached crisis point, a radical solution was called for. A 22-year-old architect, James Craig, won a competition to prepare a plan for the new city. And so began a building programme that lasted from 1767 until the 1890s, resulting in the largest area of neo-classical eighteenth and nineteenth century architecture in the world. ... in 1995 the New Town and Edinburgh’s Old Town were recognised as a UNESCO World Heritage Site. Craig’s plan proposed a classical geometric grid, reflecting the scientific and philosophical principles of the era. George Street is the main axis of the plan and the two monumental public squares define the eastern and western limits. St. Andrew Square, to the east, was completed in 1781, but it was deemed that the westerly Charlotte Square would be more marketable if designed as a single, unified architectural scheme. To this end, Robert Adam, Britain’s pre-eminent architect of the late eighteenth century, was commissioned to produce the grand vision for the Square. The magnificent neo-classical palace-style facades are his enduring legacy. Charlotte Square was finally completed in 1820, and with its central circular garden further upholding the geometric principles of the wider scheme, it was deemed the jewel in the crown of the New Town. At first, Charlotte Square was occupied exclusively by families from a military or landed gentry background. It was only after 1900 that legal and financial companies began to seek the prestige of the address. Almost all the properties were in commercial use by the 1950s, shaping Charlotte Square’s identity as the prime business location in Edinburgh for the next forty years. Source: Charlotte Square Collection (online Jan. 2018) |