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Renaissance Revival FURNITURE.......................Illustrated
Architecture Dictionary
Renaissance / Renaissance Revival Architecture Styles
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Table of contents:
See also: Renaissance Revival FURNITURE
Renaissance style - 15th-17th centuriesThe architectural style developed in early 15th century Italy during the rebirth (rinascimento) of classical art and learning.
The Renaissance period in Europe, from the 15th century to about the end of the 17th century, when art, architecture , philosophy and literature had a had a rebirth based on class Greek and Roman models.
Italy: The intellectual movement began in the 14th century with the writings of Dante, Petrarch, and Boccaccio.
Vitruvius's Treatise on Architecture, originally written in the time of Augustus, was issued in Rome in Latin, in 1486, and translated into Italian in 1621. This became one of the bibles of Renaissance architecture, and through it, of design.
Initially characterized by the use of classical orders (e.g., Doric), round arches, and symmetrical composition.
It succeeded the Gothic as the style dominant in all of Europe after the mid-16th century, and evolved throughout the Mannerist phase into Baroque.
France: In France, the Renaissance was introduced during the reign of Francis I.
Paris, as the capital of the newly consolidated Kingdom of France and as the center of the brilliant court of Francis I, attained preeminence in art and literature. This resulted in the adoption of one national architectural style which emanated from Paris and the schools in the vicinity; while the valley of the Loire became a highway along which, in response to new social conditions, the famous chateaux of kings and courtiers sprang up and formed models for other parts of the country.
This influence was largely augmented by the presence, at the court and in the schools, of such Italian artists as Leonardo da Vinci, CeUini, Serlio, Vignola, Rosso, Primaticcio, and Cortona, and was further spread by Italian craftsmen who, traveling from place to place in the district south of the Loire, there erected many picturesque buildings.
The kingly power was gradually becoming absolute, owing largely to the policy of Cardinal Richelieu and his successor, Mazarin,in the reign of Louis XIII (1610-43).
- A History of Architecture on the Comparative Method,by Sir Banister-Fletcher, New York, 1950
England: In England, the Renaissance began in the reign of Elizabeth I, during which Inigo Jones introduced the Italian Palladian style into England.
Renaissance style - 15th-17th centuries - examples:
- Left illustration above: Banqueting House at Whitehall, London, England (1619) - English Renaissance
- Pitti Palace, Florence, Italy (1450s) - Italian Renaissance
- Building, Catania, Sicily - Italian Renaissance
- Place des Vosges (1605-1612) - French Renaissance
- Fontainebleau Palace - French Renaissance
- St. Paul's Cathedral, London, England (1675-1710) - English Renaissance
- Oost-Indisch Huis, 4 Oude Hoogstraat, Amsterdam, Netherlands (1605) - Dutch Renaissance
Renaissance Revival style - 1840-1890A Revival style (1840-1890) characterized by a studied formalism found in the Renaissance style.
One of the architects who popularized the style was Richard Morris Hunt (1827-1895), the first American to study at the prestigious L'Ecole des Beaux Arts in Paris. Hunt was one of the architects who designed buildings for the 1893 Columbian Exposition in Chicago where the style received great publicity.
French and Italian Renaissance styles are the models.
Characteristics:
- Ashlar masonry is accentuated with
- rusticated quoins
- architrave framed windows, and
- doors supporting entablatures or pediments
- A belt or string course may divide the ground or first floor from the upper floors
- Small square windows indicate the top story
Substyle: Italian Renaissance style
The Italian Renaissance was the inspiration for several styles of American architecture. The first American revival of Renaissance themes came in the mid-nineteenth century and was loosely based on Italian rather than British prototypes; it was known as Italianate style.
A later revival of Renaissance-inspired design in American houses occurred from about 1890-1930 and was the purest in its resemblance to the Italian originals. The period benefited from first hand familiarity with original models, improved printing technology for photographic documentation, and perfected masonry veneering techniques after W.W.I
At first, this style was relatively rare, found mostly in architect-designed landmark houses. By about 1920, the technique of veneering a single layer of brick or stone onto the outside of wood framed walls had been perfected leading to smaller and less costly Italian Renaissance designs that were popular in suburban neighborhoods.
The Italian Renaissance style was much less common than the more popular Tudor and Colonial Revival styles of the period. The style declined steadily in popularity through the 1930s, and post-1940 examples are rare.
Identifying features of the Italian Renaissance:
- low-pitched hipped roofs covered with ceramic tiles
- widely overhanging eaves, often supported by decorative brackets
- upper-story windows smaller and less elaborate than windows below
- commonly with arches above doors, first-story windows, or porches
- symmetrical facade
Renaissance Revival example from Buffalo: Buffalo Gas Company
Second Renaissance Revival 1890-1920
Scale and size distinguish the later Revival from the earlier Renaissance Revival. Large buildings - usually three tall stories - are organized into distinct horizontal divisions by pronounced belt or string courses. Each floor is articulated differently. If the Doric Order or rustication is used on the first floor then the upper floor will be treated with a different order and finish. The window trim or surround also usually changes from floor to floor. Additional floors are seen in thesmall mezzanine or entresol windows. Arcades and arched openings often are seen in the same building with straight-headed or pedimented openings. Enriched and projecting cornices are supported with large modillions or consoles. The roof often is highlighted with a balustrade.
In turning to larger Renaissance buildings for models, architects working in this style opened the door for greater size, textural richness, and variety in form. The style well suited the grandiosity required by a very rich client like Cornelius Vanderbilt, who commissioned The Breakers, in Newport, Rhode Island.
- Identifying American Architecture, by John J.-G. Blumenson. New York: Norton. 1981
Second Renaissance Revival examples from Buffalo:
- Right illustration above: Lafayette High School - French Renaissance Revival.
- Statler Hotel
- Francis W. Tracy Monument
- Ellicott Square Building
- Photo - John Strootman House
- Harlow C. Curtiss House, 479 Delaware Ave.
- St Vincent's School
- 70 Niagara Street
- St Gerard's RC Church
- Erlanger Theater Demolished
- Mayflower Apartments Second Renaissance Revival
- Lafayette Hotel - French Renaissance Revival.
- S. Douglas Cornell House - French Renaissance Revival
- Charles W. Goodyear House - French Renaissance Revival
- Bemis House - Flemish Renaissance Revival
- Riviera Theatre Italian Renaissance
Second Renaissance Revival other examples:
- Albright Memorial Library, Scranton, Pa. - French Renaissance Revival
- Centraal Station, Amsterdam, Netherlands (1899) - Dutch Renaissance Revival
- Carnegie Hall, New York City - Italian Renaissance Revival
- Pierpont Morgan Library Complex, New York City - Italian Renaissance Revival